Isn't there something about the Rubber hitting the Road?

This is it, folks! We're caught up now. You're with me in the present. It's time for action. Steadfast, organized action. Every day something must be done. Today I worked on my re-write homework on the bus, at lunch, and after work, but still didn't get it posted. I also wrote one e-mail to support the Omni pitch(which we will hereafter refer to as the O-project), and sent a new, brief pitch line to my Hollywood Meetings "twin" sister.

Truth be told, I did indulge in two telephone visits, and was sucked into Idol gives back a little bit. Just so you know, I've experienced three days of hellish deadline pressure at work. But hey, I'm still in a good mood, and I got SOMETHING done today that serves the goal.

Last e-mail check revealed some prep work that needs doing prior to a Hollywood meetings teleconference this Sunday. Tra-la, tra-la. Here's to tomorrow evening being more productive, and then the weekend cometh.

Say, what do you think of my mini-pitch line?

Peter wants to prove a psychologist guilty...(pause)
while the real murderer "helps" his teenage son.

More soon...

Steadfast, organized action...
Every day...

Hollywood, Here I Come

Oh my goodness! This title just reminded me of Al Jolson's "California Here I Come". If anyone else knows this song, please leave me a comment. I was raised on Al Jolson. 78's for heaven's sake! If I have any young readers out there who don't know what a 78 is, it's something we called a record, and that particular record was made of something that alcoholics could melt down and drink when things were tough.

To return to this opportunity, the alumni of the writing class was invited to three days of meeting producers in Hollywood! How could I say no to that? Only twenty writers and we will meet twenty producers, each of them likely willing to take a one-page of our most marketable script. What an amazing experience this will be! We 20 who will attend the session are coached between now and then so we have the absolute best chance of impressing someone through this process. Coaching brings with it some occasional homework and a few teleconferences. Good!

The other way to impress these producers, of course, and perhaps even get a "script request" is to have amazing material. Everyone knows that in order to produce amazing material, one must re-write. Unless you know what you're doing, a re-write may not do any good at all. I used to just revise words, and fix holes in the story if I could see them.

But it's way more than that. Examining structure, re-thinking character, evaluating action, enabling brilliance, elevating quality in a lot more ways than just looking at words. Tough to do on one's own, so, since there's not much going on (ahem) and I want to have the best product I can have in LA, why not sign up for re-writes too?
Assignments are 'only' twice a week, and we trade critiques with a partner for an even better chance of being the best. Nothing to it.

Did I mention I work full time, too?